Friday, 19 October 2012

Something for the weekend - 'Five books that..' No1

'Five Books that changed your life'

This weeks 'something for the weekend' is a little different. Soon on the shelves of our beloved book shop you'll see a new promotion: 'Five books that changed your life' or 'our lives', I'm not sure the details have been hammered out yet. So I thought I'd go first & run you thorough my chosen five, what they are, why they're great & what affect they've had on me. Let me take you back in time..

Number one, these are in vaguely chronological order not in order of merit (come on picking five was hard enough!), is The secret diary of Adrian Mole aged 13 & 3/4 by Sue Townsend, I was roughly the same age as Mr Mole when this came out & I liked that fact & I liked the cover so I bought it. I'd been a fairly avid reader from a young age, I was obsessed with Dr Who so had read a lot of the adaptations, & various other school favourites (Famous five, Asterix, Jennings etc) but nothing had even been as relevant to me as this. I realised that books could speak to me about my life. So for better or worse (& judging by my own diary of the time - for worse) I sort of became Adrian Mole, bad poetry & first crushes included. It's actually a very funny & acutely observed look at early adolescent, unfortunately I saw it as a guide book. But I forgive it! & I still love it to this day.
  
Number two is The Hitchhiker's guide to the galaxy I wasn't much older (possibly even younger) when I first read Douglas Adam's masterpiece & it's the book I re-read the most. The first of a 'trilogy in five parts'  to me it's just about perfect (the other four are also very good especially two & three). The adventures of Arthur Dent in space & time shaped not only a nascent love of Sci-fi but also,I believe, my whole sense of humour. The book is thick with Adam's very own, peculiar,dry, but most importantly hilarious wit & I adored it. If ever I need a hug from a book I return to Arthur, Ford & Zaphod et al. This is the kind of book that sparks the imagination & keeps you entertained  - absolutely perfect for young readers.

Number three is a different kettle of fish Requiem for a dream by Hubert Selby Jr. A few years later (A level time) in the long summers that used to exist I would walk up  & down the shelves of my local Library (keep the libraries open!) & choose interesting looking titles, this was how I discovered many excellent writers: Vonnegut, Irving, Kundera, Mishima to name just a few. I could have chosen one of  a number from this time. But the reason I chose 'Requiem' is that it's stayed with me, without looking at it I can feel it's choking, desperate atmosphere. I remember being genuinely shocked as the plot darkened & at the bleak & unusual but pulsating prose style. It was this type of novel that opened my eyes to that fact that there were no limits in literature & that books could take you anywhere you wanted to go.

Number four is  Batman The killing joke. I'm not actually a huge graphic novels fan but this is unbelievably good. The art by Brian Bolland, who I knew from 2000ad & the story & script by Alan Moore, who I was unaware of the time (though he had written for 2000ad I only noticed artists for some reason) are of the utmost quality. I would, & still do, take an age over each page devouring the stunning visuals & enthralled by Moore's plotting. There is a very cinematic feel to it, more than most graphic novels I've read. For example the way they segue past into present never fails to delight. The Joker here is as abhorrent as you will see him & yet you will feel some sympathy as Moore reveals his desperate origin story. Even if you're not a big Graphic novels fan you should have a look at this.

& Finally at number five it's The Damned Utd  by David Peace. I've already done a review of this which you can find elsewhere in the blog. Suffice to say it's my favourite book & David Peace is the best writer of his generation. Friends & colleagues - if you've ever had a drink with me & I've ended up going on & on about this book I apologise, but if you've then picked it up & read it, I'm not.. & nor are you.

It's difficult to pick five books that changed or shaped you, as in it's difficult to hone it back to five. What would you pick? Over the next few weeks our bookseller will be telling you there favourites & why they mean so much to them. Because as I said in the very first post, we love books & we want to tell you why.

Gary

Friday, 12 October 2012

Something for the Weekend - The Weight of a Human Heart

Though I own many, many, many books, it has never before occurred to me that among my own personal library I only possess one collection of short stories. I bought Raymond Carver's What We Talk About When We Talk About Love when I was still in Sixth Form and I found most of his stories inaccessible and alarming. Though I have since come to see the error of my youthful ways, I haven't felt the need to buy any more short stories in the same way that I felt the need to buy everything Ali Smith has ever published. This may be why when I picked up Ryan O'Neill's The Weight of a Human Heart, I was surprised by just how much I enjoyed it.

At his best, O'Neill presents wonderfully colourful and interesting stories that, though short, leave you feeling entirely satisfied with their strong wit, structure and completeness. The first story, that gives the collection its name, was my favourite due to its focus on what was internally important to people's lives. The ins and outs and economics of their lives are left at the wayside as habits, memories and relationships take presidency in the tales told with an exceptionally interesting style. There is a literary theme to almost every story, each either being about story telling or language in its own way, and this links them wonderfully together, whilst simultaneously showing how important books are in all their forms to different people. I concede I may be a little biased in my enjoyment of that element.

O'Neill is most successful when he is portraying parents and children, since his lovers can be so cruel it makes you wince. The difficulty of dealing with your parents as you become an adult is beautifully portrayed and several stories had me in tears more than once. The only fault I could find was that sometimes O'Neill is a little too clever for his own good, and in attempting to make a linguistic point about form strays a little too far away from good storytelling. However, these episodes are interesting in themselves and, due to the nature of the book, mercifully short. On the whole, each story leaves you with something to think about, and the vast variety of characters and tone within this collection makes it consistantly interesting to read.

Even if, like me, you wouldn't normally choose short stories, I would say that O'Neill presents a very strong argument for making a change.

Robyn

Friday, 5 October 2012

Something For The Weekend - Cloud Atlas

I started reading Cloud Atlas by David Mitchell for terribly obvious reasons. My entire family had read it years before, but it took the release of a trailer for the new film to make me finally pick the book up myself. I would be careful about watching the trailer before you have a go at the book itself since the characters in it are so wonderfully diverse and interesting that it is better to be able to enjoy them without flashes of Tom Hanks and Halle Berry's faces obscuring your imaginative vision. No one wants flashbacks of Cat Woman at the best of times, let alone when you're trying to unravel a challenging novel such as Cloud Atlas.

If you have already seen the trailer, then do not despair, as Mitchell is a wonderful craftsman and the characters become so real throughout the narrative that it's easy to forget the film, the actors, indeed even the fact that you have a cup of tea quickly going cold next to you. I am in awe of Mitchell in the same way I am in awe of Joseph Heller, because their books are written in such a manner that it is almost impossible to see where they could have started. I have no idea how Cloud Atlas was written, just as the seams and stitches that hold Catch-22 together are completely invisible to me. It is impressive to read. The strength of the novel lies in its characters who, though not all instantly likeable, are able to draw the reader successfully into their consciousness and into their world view. As one example, when you are first introduced to the character of Timothy Cavendish most readers will find him unpleasant at best. However, after his incarceration in a ghastly nursing home, he managed to change my mind and I could not help but urge him forward in his struggle. I rooted for him despite his alarming misogyny and pig-headedness, and ultimately loved him in spite of himself. Characters such as this make a challenging structure like the one Mitchell uses worth overcoming.

The structure is essentially of six narratives that are set hundreds of years apart on different continents with numerous characters that have tenuous literary-based links. It sounds confusing, but the beauty of it is that it really isn't. Mitchell guides you through the first half of every story, breaking off at a tantalising junction in each and launching you head first into a completely new environment and a brand new set of characters. Then, as you continue, you discover the conclusions of each story one after the other only to find that the stories were in fact about the same things all along. I will leave you to discover exactly what those are.

Robyn

Friday, 21 September 2012

Something for the weekend - Song of Achilles



I started reading Song of Achilles in anticipation of the event we had with Madeline Miller at the beginning of the month. It's been a while since I read a book that stayed with me after I'd finished it; the kind of  book you want to finish, to find out what happens, but that you also want to go on forever.

I have not read the Iliad, but this book has made me want to. Miller has taken Achilles's story from the Iliad and his glory at the siege of Troy as her starting point for the novel and worked back to his childhood to see how he might have become the great hero of Troy he is destined to become. She has made Achilles's companion, Patroclus the main focus for the book; if Patroclus doesn't see something, we don't see it. Patroclus was born a prince but exiled from his kingdom after accidentally killing another boy and it is after his exile, when he is sent to live with Achilles's father, Peleus, that their relationship starts to bloom.

There have been many debates about the nature of the relationship between Achilles and Patroclus. In the Iliad, it appears to be the model of a deep and loyal friendship; in 5th Century BC Athens the relationship was seen as an example of the socially accepted relationship between an older man and a younger man; Plato's characters in The Symposium assume they were a couple. It is this last view that Miller has taken and in so doing, created a really touching love story about 2 people who are completely devoted to each other. They are together all through their teens (at first platonically and then sexually) and throughout the 10 years they are at Troy, fighting to get Helen back from Paris.

I enjoyed the tragic elements of the story - there's something very romantic about a doomed love story. It is prophesied quite early in the book that Achilles will die at Troy, despite being the best warrior in all of Greece (helped by being half-God). Therefore they know that the longer they are at Troy, the longer they have together. I liked seeing the changes in their relationship as Achilles starts to realise his destiny. Patroclus has seen him practice fighting before, but this is the first time they both realise how good Achilles is at killing. Patroclus, on the other hand, turns his hand to healing and it seems like they begin to drift apart because of their opposite roles. They do both try to do the right thing, though, in a difficult situation, like saving various girls who have been taken from the local villages from the other warriors who would rape them, instead allowing them the freedom to be independent to choose a lover should they wish to. I found the relationship between Patroclus and the first of these women, Briseis, especially lovely. She falls in love with him but he cannot reciprocate as he is so devoted to Achilles (it would have been totally normal for him to marry a woman but continue to have a male lover). In The Iliad Briesis says Patroclus was 'always gentle' and Miller said this was a big part of her reason for wanting to write about him.

As I'm writing this review, I realise I'm finding it hard to articulate why I loved the book so much. Maybe that's my failure as a reviewer, or maybe that's part of a great book - you can't quite put your finger in why it's so great; it just is. You'll just have to read it for yourself!

Friday, 14 September 2012

Something for the weekend.. Telegraph Avenue

This weeks Something for the weekend is..

Telegraph Avenue by Michael Chabon.

Michael Chabon's new one (out this week) is a lovely thing and I don't just mean to look at - that is a handsome cover though! (eyes left).
Telegraph Avenue is a terrific novel encompassing a dozen or so characters in & around the Berkeley/Oakland area in 2004. We are primarily concerned with Archy Stallings & Nat Jaffe, they run 'Brokeland Records' a 2nd hand vinyl shop specialising in Jazz, Soul & Funk. The existence of their beloved shop (& their friendship) is endangered by the possibility of a 'Dogpile' megastore opening up just round the corner. Alongside this central theme Chabon weaves the tales of the people affected by these two central characters, their Wives, their children, local politicians & Archy's wayward Father. The Father 'Luther Stallings' is a particular treat, a faded but still proud 70's Blaxploitation star now hawking round his idea for one final film staring his character 'Strutter' (a loving tribute to 'Shaft').
Though centred on a small community the book is broad in scope & ambition. The many plot strands involve class, race, murder, sexuality, first love & mortality. Never dull, Chabon is a master of mixing the deadly serious with the frivolous. There's barely a wasted word - he really is a superb writer. I found myself re-reading paragraphs & pages just to enjoy them again immediately. He's the kind of writer (similar to Jonathan Lethem) whose creations are so lifelike you forget they are fictional; I'm thinking of Strutter from this book & Barrett Rude JR from Lethem's 'Fortress of Solitude'.
Finally if you love your music (& not necessarily Jazz, Soul & Funk) you're going to devour this, Chabon's own passion for music seeps through every page.

Now I must read Kavalier & Clay as I'm often informed that is Chabon's best; better than this? I can't wait.

Gary

Friday, 7 September 2012

Something for the Weekend: A Handful of Dust

Evelyn Waugh's A Handful of Dust, though published in 1934, reminded me strangely of Robert Rodriguez's 1996 film From Dusk Till Dawn. Although there is significantly less violence in the former, the sudden change in the plot was as shocking as the moment in Rodriguez's masterpiece when Salma Hayek transforms into a vampire. In both cases there is little warning of the coming plot twist that is so dramatic it is closer to a leap across genres.

However, just as I love From Dusk Till Dawn, and not just because of George Clooney, I loved A Handful of Dust despite its bewildering narrative arch. The story of a marriage on the brink of dissolution is beautifully, though heart-breakingly, portrayed as each character gradually loses faith in their relationships. The sense of loss that runs through the book only deepens the affection you feel for the character of Tony, a man who seems completely unable to control his own destiny, just as he is unable to control his own wife. The coldness and cruelty of the high society in which Tony and his wife Brenda mingle is not unlike that of Fitzgerald's The Great Gatsby, both presenting environments where everyone knows everyone elses business. Waugh's style presents this brilliantly as dialogue transports you between social circles effortlessly, as if you were travelling through the very dinner parties that Tony is forced to endure. From the very start, Waugh allows you to feel as if all the characters are old friends whom you know well and slightly disapprove of.

Though shocking and bewildering in places, Waugh is an author whom I would return to again and again.

Robyn

Thursday, 6 September 2012

Madeline Miller event

We were extremely pleased when Bloomsbury approached us and said that Madeline Miller was going to be in the UK for a few days and wanted to do some events while she was here. Quite a few of us in the shop have read her Orange Prize-winning debut novel, Song of Achilles, so there was a real buzz amongst the staff.


We attracted a really engaged, passionate audience to the event on Tuesday 4th, which was perfect, because the part of events Madeline especially enjoys is the Q & A part. It was clear from the questions that people had read and really enjoyed the novel. There were a couple of people who had read the book as part of their book groups and it seems to have prompted some excellent debates.

It was really great to be able to listen to a new author talk about her process of writing. She is a teacher and gets so involved with her students during the working week/ term, that she only writes on weekends and in holidays. She is clearly really passionate about Classics and it is brilliant that she has made The Iliad accessible to a new audience. She was inspired to write the story from a minor character’s point of view after reading of Achilles’s reaction to Patroclus’s death in Homer – why was Achilles so distraught to lose a friend? The result is a moving, funny, easy to read novel about love as well as war.